Ben Monder - jazz guitarist

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Ben studied music at Queens College and the University of Miami. After returning to New York in 1984, he spent most of his time working with R&B and wedding bands and practicing jazz in his room. His big break came in 1986 when Jack McDuff called him (personally!) to join his band The Heatin' System for some extended road trips to the Midwest and West Coast. It was during this period that Ben developed an unprecedented tolerance for alcohol and had his first experience of being yelled at on the bandstand. He parted amenably from the McDuff aggregation (although Jack has departed this world still owing him $75 for the last gig) for an opportunity to perform in Vienna, home to many of his musical heroes, with a fusion unit. It was thrilling to solo over extended 1 chord vamps and eat wiener schnitzel, knowing that the ghosts of Mozart, Beethoven, and Schubert could be sitting just an arm's length away! He returned to the States a man of the world and, although it was 6 years before he would return to Europe to perform, began to play more and more jazz gigs around New York. A regular gig at the renowned club Augies proved important to his development, as well as providing free wine and chicken soup. However, his unothodox approach and sullen demeanor so alienated the perpetually besotted owner that after a year he was barred from ever playing there again, with anybody. It was around this time that the Hasidic drummer/vocalist Yitzhak Bitton started calling him for duo gigs in a Crown Heights hotel basement. Some highlights from the next couple of years include a winter playing lifelike renditions of Louis Prima numbers, Italian Rhumbas, and Disco medleys 4 nights a week with a lounge band at the Glen Island Casino. Ben fondly remembers the high point of each night being his feature on Donna Summer's "Bad Girl." In 1990 or '91 he recorded the critically ambiguous "Right Brain Patrol," a date led by the enigmatic yet diatonically leaning bassist, Marc Johnson. Subsequent tours led to greater visibility for the young Monder, yet the exposure to the constant anti-semitic diatribes of the percussionist proved stressful to his sensitive constitution. Anyway, our hero was soon fired. Some other famous people he's played with are Paul Motian, Lee Konitz, Toots Theilemanns, and Dave Liebman. He has played on over 90 CDs as a sideman and has 4 of his own. All About Jazz

Northern Sunrise is in a different mood and mode but these airy, arty and atmospheric renderings seem tailor-made for Ben Monder's guitar and aesthetic sensibilities. The first tracks and some subsequent ones elicit some lovely guitar lines... If you're a devoted or budding Monderite (or soon to become one) you might wish he'd get more solo action here. When he gets to step out he sparkles.
All About Jazz

Bloom is completely dedicated to mood and emotional expression, developing at an exceedingly unhurried pace. Not so much a solid step as a bodiless spirit-float. Monder is a core member of McHenry's quartet, but now the pair find themselves cast adrift from a rhythm section. The title cut immediately establishes a sense of foreboding, the somber uncurling of a deathly petal. Monder can't escape the reverberational legacy of Bill Frisell, his preferred act being to emit suspended tones while McHenry grows bittersweet, savoring his own rich tone. The album has an authentic live-in-the-room acoustic, moving into a central cluster of pieces that swim towards becalmed waters, reducing to minimal gestures as a pregnant aura is gently formed.
Martin Longley, All About Jazz/New York

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Ben Monder celebrated in Argentina and Uruguay

Jazz guitarist and composer Ben Monder toured Argentina and Uruguay in early December as a headliner at jazz festivals in Buenos Aires and Uruguay. He was featured with vocalist Carme Canela and pianist Guillermo Klein as well as Gorka Benitez.Full Story